Though he couldn’t have known it when the play premiered in 1977, time has proven that Murrell’s take on the lives of women during wartime has resonated with audiences. It’s been performed numerous times across the country since its premiere, as well as in London and New York. Now, on the play’s 40th anniversary, Murrell remembers what it was like delving into the past to uncover its truths.
When tasked with writing a play about the Second World War from a Canadian perspective, playwright Murrell wanted to approach the topic from a new angle. In 1977, that meant writing about the women who experienced the war at home. “I started thinking about good things that had been written by other people [on the topic] which were mainly about the male experience and thought how rare it was to have anything produced that talked about the women at that time and especially about women on the home front,” he says.
In order to get a better sense of time and place, Murrell and assistant Gael Blackhall conducted more than 50 interviews, totaling more than 50 hours of tape, with Calgarians who some connection to the home front scene from 1939 to 1945.
Photo Courtesy of Alberta Theatre Projects
The cast of ATP’s latest 40th anniversary production of Waiting for the Parade.
What they found throughout this process was that, in almost all of the interviews they’d conducted with women, the interviewees would say nothing of interest had happened to them or they couldn’t recall anything interesting. But in asking them general questions on the clothing of the time, how food shortages affected them and other details, they’d eventually find gold.
“They would tell us these remarkable incidences that had happened to them and they weren’t on the global scale, but they were insights into human behaviour that were so touching and, at times, so funny,” says Murrell. “I think they remembered how difficult it was, other than reading the casualty list in the paper, to really know what was going on those thousands of miles away with these people that you cared about.”
Murrell recalls one such incident that he used as the nucleus of a scene.
“A woman whose husband went missing in one of the big European battles had a telegraph boy come to her door and very nervously asked her through the screen door ‘Ma’am, are you all alone here?’ She said yes, because in those days, the Canadian military said that if a death message was being delivered to someone at home, you shouldn’t give them the message unless there was someone else in the home. He gave her the telegram anyway and ran away. As it turned out, it wasn’t a death message. It was a message that her husband was missing in action. It makes you think about what’s going on in that woman’s heart at a moment like that?”
Waiting for the Parade runs until Saturday, October 1 at Martha Cohen Theatre, Arts Commons. For more information, visit atplive.com.